The Pi technique is not an incidental by product

he chose it because it better represents his meditations and emotions, his unique way of placing the resin gives these paintings a matte and bright contrast, on the one hand the visible, thick and shiny material of the resin allows to suggest the cheerful and dynamic character of the painting and therefore of the natural world and on the other hand the multicolored color of the painting without resin allows to suggest the raw and wild character of this same world. The mixture of materials (Chinese ink, watercolor, oil, acrylic, strokes, lines, quantities and proportions) is not dictated by calculation but by meditation or emotion, arranged in successive layers, dried after drying, all his paintings are covered with a treated resin, therefore, respectful with the environment.